4,130 Royalty-Free Audio Tracks for "Fretted Synth"

Can't remember how i made it, though its a great to mess with. I played around laying chords underneath, beats and stuff. Sorry cant remember bpm. Enjoy! :).

Feedback loop drone created using make noise phonogene + make noise echophone eurorack modules. Good for some kind of force field.

Short tune i made, could be used for game music. You can use it for free, but it would be nice to contact me if you're going to use it. Because it might motivate me to make more.

Free to use however you please. An upsweep for edm type music dubstep, trance etc etc.

Hard, over-driven analog sound made using the minikorg + use of eq/distortion/compression in flstudio's patcher. Enjoy!. ~dub.

Here are some drums i made, on the synthesizer again. In order they are: parallel compressed kick, regular kick, snare, closed hi-hat and open hi-hat. The set before the break is mastered, while the set after the break isn't (i did throw a little limiter in there though just to boost 'em up a bit easily, but they're still not mastered). Enjoy. Credit is appreciated but not at all needed, i just like synthesizer-ing.

Homemade beat loop in live 7 using non sample based synth instrument.

Homemade beat loop in live 7 using non sample based synth instrument.

Drumbase electtronic loop.

A noisy agressive analog synth stab made with a minimoog, no fx applied.

Badass minimoog bass.

Another bass. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.

A bass sound i made quite a while ago. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.

Its a bass i made, use it if you want. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.

More bass ;p. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.

Just a synth with a few effects and filters.

A sound made usingalienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/and my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/.

Accidental feedback loop turned very eerie electronic effect. Recorded twice at random and then panned hard left and right. Sounds cool in stereo, or you can split up the two files.

This is the intro-bassline that you need, if you wanna create or mix the electro-track "happy siren". This bassline fits to the next two synths!!!.

This is a note played on my guitar and slowed down a ton. . . With some added filtration. . . Works very interestingly as a pad sound.

A nice loop i made that has delay, phase distorion and tremolo to it.

Rhythmic amp and filter envelopes play against each other with fm modulation. Bubbly edgy synth, no effects.

Hybrid virtual analog and analog mixed together through a behringer mixer into an mpc 1000. Light effect send to warm it up a bit. Doesn't sound like strings, thats just what i was going for, but this is where i ended up. Enjoy44. 1k, 16bit.

Patch made with a microkorg and an ea-1. Sounds a little bit like an organ for a few octaves. Lovingly multisampled. 44. 1k, 16-bit.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

A sound i made with my modular synthwhat is it. . . ?.

I was trying to play an electic guitar sended through a bass synthesizer pedal (boss syb-5) and strange futuristic sounds came out. Enjoy using them on sci-fi / fantasy projects or contact me for more :).

My first upload! this sound i made using the zmors synth on my ipad air2 - i used audiobus which is a great routing software allowing many of a lot of awesome sounding synths that are now on ipad and can be played professionally via a usb keyboard controller (very handy for gigging) okay this is getting too wordy. . . I used audiobus overall with zmors in the first slot being routed through the wonderful aufx eq app in the center (effects) slot then ran the most useful of all ---> audioshare app in the 3rd or output slot to record it all. . . Keep in mind that the number of devices you can run in these three slots is virtually limitless - as much as your device can handle so you can get really nuts with several synths, a drum machine, etc all routing to the middle (fx) stop in the chain and picking up a fat 3 or 4 nice sounding effects devices then on to output to audioshare or you can now use just audioshare as host and run zmors in it directly (and probably more smoothly). I chose zmors because on a couple of other ipads (ipad mini, ipad 2 especially, and ipad air a little bit) i was noticing that it was a resource hog and was not playing correctly or there was a huge lag in the latency so with the new(er) ipad air 2 i wanted to hear the zmors synth and it really is an underappreciated majestic sounding beast if you ask me. I am going to experiment further with it as the unique architecture and just the way it sounds is totally different from any other synth i've yet to hear on ipad or in general. It kind of reminds me of a fatter, more modern. Sequential circuits 6 track. Which i've had a couple of and have a thick layered sound - kind of like a really nice turkey sandwich with a good portion of swiss cheese then you notice that there's still some roast beef left and put a good amount of that between bread as well. Hell, that's a sandwich that's gonna be filling! thanks for reading.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Cross fm modulated filters performing a painful dance on your eardrums. This is noise but with a musical and rhythmic trace. I keep coming back to my vcfs…?.

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

Some sound i made on fl studio. If i remember correctly, a synth sound that got to sound a certain way, then put a lot of reverb with a heavy compresser after.

Vsti-loop with some discrete drums added. If u like this, perhaps u also like my tunes on sc: http://soundcloud. Com/beverlyhillsboy check it out! cheers :).

Nice melodic loop. If u like this, perhaps u also like my tunes on sc: http://soundcloud. Com/beverlyhillsboy check it out! cheers :).

Simple melody with synth-drumloop made with vsti. If u like this, perhaps u also like my tunes on sc: http://soundcloud. Com/beverlyhillsboy check it out! cheers :).

A short synth track originally for a horror or sci-fi film.

This synth that i created for this drum step track i worked on, has an awesome bassline to go with it as well.

Inspired by 'thatjeffcarter' and his angel breath 4. Wav, i did my own remix of "ocean giant breathing" by 'satoration'. Time stretched, reversed, some band pass lfo, phaser, then some chorus flanger.

Original file name: wah whistle suspense bees - 30 september 2012specs: demo at 120 bpm, stereo, 48000 hz, 24 bit, wav formatdescription: created the sound using the thor polyphonic synthesizer in propellerheads reason. Sounds weird when played in isolation, but sounds decent when played as an arp or melody. I have included the "c" note spanning 7 octaves in case the samples need to be loaded into a sampler. Sample pattern: demo | c0 | c1 | c2 | c3 | c4 | c5 | c6. Contact (pm) me if you want any changes to this sample (please include freesound sample number 166169). You can use this commercially with proper crediting, but please let me know where and how you use it - seeing this used will really make me happy. :).

Bass sound made with a vintage yamaha psr-36 synthetizer. Processed in daw with various effects and sound design techniques.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

Aha! the wave form effects the wave color! here is a 60hz tone playing alternatly sinus and triangle wave. In this test im using vco-1. #colortest.

What effects the color of the wave here on freesound? i could ask, but here is a little test. Part 1 - a (about) 60hz tone going from sinus to triangle (vcv-rack vco-2)part 2 - same tone. Sinus wave. An accelerating vibrato. Part 3 - now 2 tones. Same 60hz sinus tone plus another sinus tone slowly increasing in frequency creating beating effects. The second, rising, vco has a lower amplitude. All three part has the same peak amplitude (-4db)#colortest.

Doing something with my own sample mixhttps://freesound. Org/people/gis_sweden/sounds/465325/.

Tb303 made with acid machine 130bpm.

Chromatic notes starting at c0. A blend of three oscillators + and additional wavetable. Not too shabby, but very wabby. Enjoy!.